24mm F3.5 Full Frame Tilt Shift - Rokinon
24mm F3.5 Full Frame Tilt Shift
24mm F3.5 Full Frame Tilt Shift - Rokinon
24mm F3.5 Full Frame Tilt Shift - Rokinon
24mm F3.5 Full Frame Tilt Shift - Rokinon
24mm F3.5 Full Frame Tilt Shift - Rokinon

24mm F3.5 Full Frame Tilt Shift

TSL24M-C

Regular price $999.00 Sale price$749.00
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Mount

Model: TSL24M-C

UPC: 0-84438-76117-7

Focal Length: 24mm

Maximum Aperture: F3.5

Coverage: Full Frame (FX)

Optical Construction: 16 Glass elements in 11 Groups

Aperture Range: F3.5-22

Diaphragm Blades: 6

Coating: Ultra Multi-Coating

Minimum Focusing Distance: 7.87” (0.2m)

Filter Size: 82mm

Lens Hood: n/a

Maximum Diameter: 3.39” (86mm)

Weight: 23.5oz (667g)

Length: 4.33” (110mm)

Model: TSL24M-N

UPC: 0-84438-76118-4

Focal Length: 24mm

Maximum Aperture: F3.5

Coverage: Full Frame (FX)

Optical Construction: 16 Glass elements in 11 Groups

Aperture Range: F3.5-22

Diaphragm Blades: 6

Coating: Ultra Multi-Coating

Minimum Focusing Distance: 7.87” (0.2m)

Filter Size: 82mm

Lens Hood: n/a

Maximum Diameter: 3.39” (86mm)

Weight: 22.8oz (647g)

Length: 4.21” (107mm)

Model: TSL24M-E

UPC: 0-84438-76367-6

Focal Length: 24mm

Maximum Aperture: F3.5

Coverage: Full Frame (FX)

Optical Construction: 16 Glass elements in 11 Groups

Aperture Range: F3.5-22

Diaphragm Blades: 6

Coating: Ultra Multi-Coating

Minimum Focusing Distance: 7.87” (0.2m)

Filter Size: 82mm

Lens Hood: n/a

Maximum Diameter: 3.39” (86mm)

Weight: 25.9oz (734g)

Length: 5.47” (139mm)

※ This product image is a Canon EF mount lens. Size and design may vary depending on the mount of a lens

The Rokinon TSL 24mm F3.5 ED AS UMC is a wide-angle, full-frame lens fitted with the perspective control and tilt-shift functions. Similar to the tilt and swing movements of a view camera, a tilt-shift lens allows the user to control perspective and correct convergence of lines within the frame, which can be especially useful in architecture, landscape and product photography. The optical tilt mechanisms enable precise control of depth of field along with perspective control. It is compatible with both digital and film formats with an angle of view of 83.5º and on an APS-C size sensor has an angle of view of 59.9º and focal length equivalent of 36mm (Canon APS-C: 38.4mm/ 56.9º).

The tilt-shift function on the 24mm f/3.5 lens allows adjustment of the focal plane by an angle of +/-8.5º and enables parallel shift of the optical axis by +/-12mm. The Mount Rotation Lever enables the Tilt and Shift Sections as a combined unit to be rotated RIGHT up to 90 degrees (with 30 degree adjustment). The Tilt Rotation Lever enables the Tilt section to independently rotate LEFT by 90 degrees (with 30 degree adjustment).

The lens is comprised of 16 elements in 11 groups, including two Aspherical elements and two Extra Low Dispersion (ED) elements, which reduce aberrations and provide sharp details and accurate color separation. Multi-layered, anti-reflective UMC coating on each lens element provides even light transmission while minimizing flares and ghosting.

  • 24mm Full-Frame Prime Lens
  • Focal length equivalent when using lens on APS-C format camera is 36mm (Canon APS-C: 38.4mm)
  • Tilt/Shift functions allow for precise perspective and depth of field control
  • Aspherical and Extra Low Dispersion (ED) elements minimize aberrations for sharp resolution and accurate colors
  • UMC coating on lens elements provides even light transmission and minimizes reflections, flare and ghosting

User Manual Download

Specifications

Model NameTILT/SHIFT LENS 24mm F3.5 ED AS UMC
Aperture RangeF3.5 ~ 22
Optical Construction16 Elements in 11 Groups
Minimum Focusing Distance0.2m
Filter Size82mm
Maximum Diameter86mm
MountCanon EFNikon FSony E
Angle of View35mm83.5˚83.5˚83.5˚
APS-C56.9˚56.9˚56.9˚
Four-Thirds (4/3")---
Length110mm107mm139mm
Weight667g647g656g
Lens Rotation- Maximum Tilt amount : ±8.5˚, Maximum Shift amount : ±12mm
- Between Tilt and Shift Rotation : 90˚ Left(click-stop for each 30˚ step)
- Mount Rotation 90˚ Right (click-stop for each 30˚ step)

MTF Chart

Optical Construction

Features

Tilt/Shift

You can produce images with exaggerated perspectives by adjusting the light of sight, which is unique to the tilt-shift lens. The depth of focus can be also adjusted to take photos with a feeling of "miniature". This is a very unique and mechanical lens, ideal for architecture and landscapes.

Aspherical Lens

With minimal spherical aberration and distortion, you can take pictures with incredible precision.

Minimized Flare and Ghost Effects with Ultra Multi Coating

By reducing the impact of flares and ghosting effects in your pictures while ensuring excellent image quality and contrast from the center to the periphery, it offers crystal clear, sharp image quality.

Smooth Focus Ring

Smooth focusing ensures precise control and produces images with incredible sharpness, making it the ideal choice for indoor and night shooting.

Customer Reviews

Based on 27 reviews
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E
E. Fowler
So much fun!

This is a great lens, very affordable & so much fun to use!

S
SeraAvion
What's the beef about this lens?

Forget what people say or complain about this lens. This lens happens to be a steal at this price! It is sharper than my Nikon 50mm or my Nikon 16-35mm at extreme blowup. I couldn't believe it as I snapped a few test photos. A wonderful lens for portrait or buildings, but my favorite is small objects with lots of bokeh around them. Hard to do with the other lens I have.BTW, you can have the sharpest lens made and still not focus well and take crummy photos. Some of my best photos have been taken with a 50mm f2 lens because I planned it out and KNEW my camera.

W
WT
Worth the price and fun lens

Can’t expect the same image quality like a L lens but it is worth the price. There are many professional reviews about this lens already.

M
Mike M.
Good for it's specialty purpose

There is no such thing as an easy to use tilt shift lens. This is not even what we called an automatic lens back in the 70's ( that meant it automatically stopped down to the manually selected aperture when you pressed the shutter, so you could manually focus at full aperture ). No. You have to manually focus, then stop down to aperture and take the shot. You really need to stop this down to about f8 for sharpness. My camera has no clue what the aperture is, thinks it's f3.5, but will still auto expose in AP mode. Do not even think about using this without a tripod.

R
Rowland Coad
Operates as expected

I don't own a Nikon tilt shift to compare with, but I'm very happy with this lense